And the quality itself is totally dependent on who is the messenger, in the wrong hands most music will sound like bad music. Often the reasons have nothing to do with the quality of the music. It may have to do with style, gender, origin, problems of notation, lack of publisher, wrong publisher, fashion, lack of social skill, too keen self promotion or any combination of these. There are always multiple reasons for great music falling out of general attention. Orchestras don’t program much more than 10 Concertos and apart the Bach Suites there are maybe 5 pieces that make their way to concert programs. Violin in 1st movement only.While the list of pieces that appear in cello-piano recitals is incredibly short – same 10 pieces keep circulating in different order – we cellists actually have very large repertoire. Related to RV 433 and RV 570 all three works titled La tempesta di mare.
Closely related to RV 104įour 'national' concertos, La Francia, La Spagna, L'Inghilterro, Il Gran Mogol, of which all but Il Gran Mogol, RV 431a, are lost (these are now catalogued separately: see RV 821, 822, 825). Published in Amsterdam by Le Cene (#544). 146.Ĭoncerto for 2 clarinets, 2 oboes, strings Manuscript source Turin: Foa 32, BL 135–142ĭedicated to the Marquis of Marzin (or "Morzin", "Morcin")
Ripieno manuscript source Turin: Foa 30, BL 42–49 Ripieno manuscript source Turin: Foa 30, BL 55–60. Related to the serenata La Sena festeggiante, RV 693. Related to the sinfonia for the opera Giustino, RV 717. Most of Vivaldi's works do not have an opus number and so they are referred to by a catalog number such as the Ryom-Verzeichnis number.Ĭoncertos, sinfonias, sonatas Form The work includes six sonatas for musette (or vielle à roue) and basso continuo. Chédeville supplied the funding and received the profits, all of which was documented in a notarial act by Marchand in 1749. Six flute concertos (a second version for recorder was printed in Venice)įive violin concertos, one oboe concerto, the second in E minor, RV 277, being known as Il favorito ( The Favorite)įive violin concertos and one without soloĪn alleged "Opus 13", Il pastor fido ( The Faithful Shepherd) was published in 1737 by Jean-Noël Marchand through a secret agreement with Nicolas Chédeville to publish a collection of Chédeville's compositions under Vivaldi's name. La cetra ( The Lyre), 12 violin concertos, all for solo violin except for No. Il cimento dell'armonia e dell'inventione (The Contest between Harmony and Invention), 12 violin concertos, which include the first four concertos known as Le quattro stagioni ( The Four Seasons)Ģ69, 315, 293, 297, 253, 180, 242, 332, 236/454, 362, 210, 178/449
1 and 7 (both in B-flat major) for oboe, and No. Six sonatas, four violin sonatas and two sonatas for two violins and basso continuoġ2 concertos (two for oboe and 10 for violin), of which three are considered inauthentic: Nos. L'estro armonico ( The Harmonic Inspiration), 12 concertos for various combinations, of which the best known are No.
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